The main problem with all these mastering issues is that we live in a 2013 and not in the old good times described by the fertile but slightly senile old gurus. The better the tool is, the better the end result will be. Mastering is an art and if you are a mastering guru, then you can produce a good master with almost any tool but most of the people that I know, producers, musicians and even some studio technicians, are not so good on in the field of mastering, at least without having a good “all in one” tool. In times past I did my mastering with T-Racks, then with Maximus, and now I have switched to Ozone. For the rest of us, a good tool is essential. Please note, any purchase of Ozone 5 after October 1st will have a free upgrade to Ozone 6 when that version is released.If your a master at mastering, you can probably get good results with any tool. A broad variety of updated metering tools provide visualizations as to how individual mix elements fit together, guiding both the eyes and ears to the perfect-sounding master. New users can get started right away and experienced Ozone users will feel right at home. The user interface has been redesigned to make it even easier to dial in the required sound. To that end, every module has been updated with refined signal processing algorithms to deliver a high level of mastering quality. The process of mastering ranges from correcting mistakes made in the mix, to preparing a recording for targeted listening environments. These include a maximizer, equalizer, multi-band dynamics, multi-band stereo imaging, post equalizer, multi-band harmonic exciter, reverb, and dithering. Ozone 5 from iZotope is a complete mastering system presented in a single integrated plug-in interface, and includes eight essential mastering tools.
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